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《红鞋日记9:热线》在线观看HD无字电影免费不卡日本韩国视频
几天前,号称昆虫学专家的古博士睡午觉醒来,看到他的儿子在院子里抓到一只苍蝇。他把苍蝇带到研究室,用放大镜看了又看,从书架上翻出资料翻了又翻,可就是不知道这是什么虫子。古博士超级激动,他认为这是一个非同小可的发现,凭借这一发现一定可以让他举世闻名。他为这只苍蝇命名“古普斯·杜勃斯·希里渥图斯”。就在此时,古博士的老朋友杜博士敲响他的房门。古博士小心翼翼,生怕这个发现被人发现,他把虫子介绍给杜博士,两个人为了苍蝇的命名吵得面红耳赤,杜博士还抓紧机会写了十万字论文,两个死读书脱离实际的书呆子为了连农民都知道的苍蝇决裂,甚至吵到权威薛教授那里……
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
Netflix的《队长视角:问鼎冠军之路》报道了2022年 FIFA世界杯,对克里斯蒂亚诺·罗纳尔多、莱昂内尔·梅西、哈里·凯恩等众多明星进行了独家采访,捕捉了球场内外的精彩瞬间。这部六集纪录片将于12月30日上映。

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