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Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?　　Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?　　Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
元朗CID脂粉刘及串烧伦被派往调查两名基佬被杀案，为搜寻有关线索，被迫扮成基佬，入住基佬大厦，往基佬吧流连。脂粉刘巧遇少女波波，约她返家晚饭之际，波波被Billy拉着离开，被脂粉刘所阻。却原来波波一直被迫为毒贩做事，藉带团赴泰国，利用团友携带回之木雕暗藏白粉，被杀的基佬亦因此事受害，波波正被迫追寻另一失落的木雕。波波被误为吃里扒外，被Billy挟持，刘与伦亦被捉，始知基佬被杀案为毒贩所为。三人摆脱捆绑，并勇擒匪徒，破毁毒巢。
旭日初升，暖暖的阳光照满院子的每一个角落，连缩聚到角落里的老鼠洞也感受到了阳光的召唤。杰瑞从香甜的梦中醒来，而旁边的小家伙还呼呼大睡。偶然瞥见墙上的日历，杰瑞惊喜地发现今天竟然是7月4日美国国庆日，他满心欢喜地叫醒了小老鼠，而那个还裹着尿布的小家伙比杰瑞还激动，端出了整整一箱烟花爆竹要跑到外边燃放。作为第一监护人，杰瑞自然不会允许小家伙做这种危险的事情，他夺下小家伙手中的烟花，只给他儿童的玩具玩耍。小家伙毫不就范，接连拿出私藏的爆竹，致使杰瑞一次次被炸得满面漆黑。　　与此同时，汤姆暗中向杰瑞伸出毒手。眼见得最敬爱的杰瑞叔叔落难，小家伙与汤姆进行了一场烟火大战……